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Course: Art of Asia > Unit 7
Lesson 8: 1857–present- Submerged, burned, and scattered: celebrating the destruction of objects in South Asia
- Photographic views of nineteenth-century India, an introduction
- Raja Ravi Varma, A Galaxy of Musicians
- Amrita Sher-Gil, Self-Portrait as a Tahitian
- F.W. Stevens with Sitaram Khanderao and Madherao Janardhan, Chhatrapati Shivaji Terminus, Mumbai
- Ganesha Jayanti, Lord of Beginnings
- The making and worship of Ganesha statues in Maharashtra
- Kathakali dance and masks
- Varanasi: sacred city
- Painting in Mithila, an introduction
- Interview with Rahul Jain
- Interview with Waqas Khan
- Interview with Noor Ali
- Zarina Hashmi on Arabic calligraphy
- Shahzia Sikander on Persian miniature painting
- Inside Manish Arora’s Studio
- Nalini Malani on “Hanuman Bearing the Mountaintop with Medicinal Herbs”
- Interview with Sheba Chhachhi
- Interview with Naeem Mohaiemen
- Dayanita Singh – ‘I Use Photography to Transform Space’
- Sheela Gowda – 'Art Is About How You Look At Things'
- The Singh Twins on the Impact of the British Empire
- Jas Charanjiva on "Don't Mess With Me"
- Sunil Gupta – ‘Being in the Dark Room is Healing’
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Jas Charanjiva on "Don't Mess With Me"
After a violent crime in Delhi, Jas Charanjiva turned to art to confront harmful social conventions and raise awareness about the "boom" of new cultural attitudes towards women and women's safety. Learn more about what inspired Charanjiva's colorful artwork--from Mexican murals to traditional Indian clothing. For more info: visit https://exhibitions.asianart.org/exhibitions/east-west-bank-art-terrace/?_ga=2.33132734.1675215369.1613585634-438096729.1613414241. Created by Asian Art Museum.
Want to join the conversation?
- I love this inspirational piece of artwork!
I also love the way that the artist is making a huge positive impact and expressing herself fearlessly, not just for herself, but for others too.
Go, Jas!!(3 votes)